"I didn't mean to give offence," replied Sheppard, sulkily. “I heard the other day that she’d been taken in by some cad of a fellow who was cutting a great dash in Paris, personating Meysey Hill, the great railway man. ‘You’re either mad, or in love. ” He made a grand gesture towards the car, his smile broadening. It throws out a number of broad experimental generalizations, and then sets out to bring into harmony or relation with these an infinitely multifarious collection of phenomena. She never knew what became of her farmer after that. ” His voice sounded muffled and heavy, as if he had gone to bed.
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