‘You’re either mad, or in love. All this Woman-who-Diddery —no damn good. Was that it? Had she clothed this unhappy young man with glamour? Or was it because he was so alone? She could not get through the husks to the kernel of what really actuated her. That world of fine printed cambrics and escorted maidens, of delicate secondary meanings and refined allusiveness, presented itself to her imagination with the brightness of a lost paradise, as indeed for many women it is a lost paradise.
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